Artist Information
It's his music that draws them -- a tangle of roots in blues, country and down-home rock 'n' roll, branded with his unique imprint. They hear their lives in his lyrics, written in the tradition of Townes Van Zandt, Steve Earle and other true-life troubadours.
With no help from big-time labels, and money pulled from his own pockets, Crow has put together an admirable track record as a recording artist, having lofted six No. 1 singles onto the Texas Music Chart – one of which, "Wear My Ring," sold over 165,000 copies. He has sold over 40,000 albums, released five self-produced albums in just over a decade, including Dandelion, which debuted at No. 1 on Billboard's Heatseekers South Central chart. He's been cheered in Country Weekly, on CMT and in other national media outlets. His YouTube videos and concert footage have drawn more than 2.5 million views.
He's chiseled his foothold in the edifice of Americana through hard work, talent, determination and a deep love for making music and building the best life he can for his wife Brooke and three kids Townes, River and Parsons.
Myriad spirits haunt his music-- a choir of real American country in the fashion of Merle and Waylon, John Conlee, George Jones and Jerry Jeff Walker, razor-edged rock from Metallica, Pearl Jam, Alice in Chains, deep-fried Southern soul from Otis Redding and more.
Yet in the end, Bart Crow is what you get: a blue-collar balladeer with his own unique message. It comes across loud and clear on his newest set of passionate songs and performances, The Parade. Released in partnership with Thirty Tigers, it spotlights an artist whose story will feel familiar to all Americans who know what it means to survive in challenging times.
New listeners may go beyond enjoying The Parade to identify with Crow as someone who knows first-hand the challenges of balancing one's dreams, integrity, responsibilities and reality. That dream is within reach now, because Crow's story is your story too. All you need to do is listen -- and join The Parade.
